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CLARO EN EL BOSQUE
$800.000,00
Medios de pago
| 2 cuotas de $400.000,00 sin interés | CFT: 0,00% | TEA: 0,00% | Total $800.000,00 |
| 3 cuotas de $266.666,67 sin interés | CFT: 0,00% | TEA: 0,00% | Total $800.000,00 |
| 6 cuotas de $133.333,33 sin interés | CFT: 0,00% | TEA: 0,00% | Total $800.000,00 |
| 1 cuota de $800.000,00 sin interés | CFT: 0,00% | TEA: 0,00% | Total $800.000,00 |
| 3 cuotas de $266.666,66 sin interés | CFT: 0,00% | TEA: 0,00% | Total $800.000,00 |
| 6 cuotas de $133.333,33 sin interés | CFT: 0,00% | TEA: 0,00% | Total $800.000,00 |
| 2 cuotas de $400.000,00 sin interés | CFT: 0,00% | TEA: 0,00% | Total $800.000,00 |
| 9 cuotas de $127.528,88 | Total $1.147.760,00 | |
| 12 cuotas de $103.593,33 | Total $1.243.120,00 |
| 9 cuotas de $147.271,11 | Total $1.325.440,00 | |
| 12 cuotas de $123.093,33 | Total $1.477.120,00 |
Pintura y metalizado sobre manta color natural gruesa.
El paisaje natural se subvierte y se recrea a través de la abstracción geométrica. La obra no busca representar un lugar, sino evocar la sensación saturada y rítmica de un entorno interior y exuberante.
Composición y Estructura del Paisaje Abstraído
La obra se organiza mediante un sistema de grandes arcos y planos inclinados que dividen el espacio en áreas de color y patrón distintos, creando una topografía visual irreal. Las líneas curvas y diagonales son las protagonistas, imprimiendo un movimiento continuo que sugiere colinas, ondas o capas geológicas. Este dinamismo rechaza la perspectiva fija, permitiendo que el ojo viaje a través de un espacio comprimido pero profundo.
Yuxtaposición de Planos: La obra se asemeja a un collage de planos de color superpuestos. Cada sección es tratada de forma independiente, utilizando diferentes paletas y motivos, lo que enriquece la complejidad visual sin perder coherencia.
Motivos Botánicos: Elementos botánicos esquemáticos (ramas con hojas, vainas o semillas) se integran en las secciones de color sólido. Estos motivos son pictográficos y simbólicos, aportando un anclaje a la naturaleza, pero estilizados al punto de ser patrones rítmicos.
La paleta es la fuerza motriz del tapiz, empleando colores primarios y secundarios de alta saturación sin buscar la armonía tonal tradicional.
Paleta Audaz: El uso de rojo carmesí, azul cobalto, verde lima/ácido, marrón terracota y amarillo brillante genera una colisión visual estimulante. Esta selección audaz y poco convencional crea una atmósfera de ensueño o fantasía.
Patrones Vibrantes: El color se despliega a través de patrones de bandas y rayas que introducen una poderosa sensación de ritmo:
Las franjas horizontales finas (rojo, rosa, azul) crean vibración óptica.
Las franjas gruesas (azul y verde lima, o amarillo y marrón) aportan peso y
medidas 150 x 160cm aprox.
THIS TAPESTRY IS REPRESENTED BY DIDEROT ART GALLERY. You can find it at the following link:
https://tienda.diderot.art/productos/tapiz-claro-en-el-bosque-160-x-150-cm-pieza-unica-6flwq/
Approximate dimensions: 150 x 160 cm
“CLEARING IN THE FOREST” Tapestry
The “Clearing in the Forest” tapestry is a manifesto of chromatic vitality and visual synesthesia, where the natural landscape is subverted and reimagined through lyrical and geometric abstraction. The work does not aim to represent a specific place, but rather to evoke the saturated and rhythmic sensation of an interior, exuberant environment.
Composition and Structure of the Abstracted Landscape
The piece is organized through a system of large arcs and inclined planes that divide the space into areas of distinct color and pattern, creating an unreal visual topography.
Curved and diagonal lines take center stage, generating continuous movement that suggests hills, waves, or geological layers. This dynamism rejects fixed perspective, allowing the eye to travel through a compressed yet deep space.
Juxtaposition of Planes:
The work resembles a collage of overlapping color fields. Each section is treated independently, with different palettes and motifs, enriching the visual complexity while maintaining coherence.
Botanical Motifs:
Schematic botanical elements (branches with leaves, pods, or seeds) are integrated into solid color areas. These motifs are pictographic and symbolic, grounding the work in nature while being stylized into rhythmic patterns.
Saturated Chromaticism and Visual Rhythm
Color is the driving force of the tapestry, using highly saturated primary and secondary hues without seeking traditional tonal harmony.
Bold Palette:
The use of crimson red, cobalt blue, lime/acid green, terracotta brown, and bright yellow creates a stimulating visual collision. This unconventional selection generates a dreamlike, almost fantastical atmosphere.
Vibrant Patterns:
Color unfolds through bands and stripes that introduce a strong sense of rhythm:
- Fine horizontal stripes (red, pink, blue) create optical vibration
- Broader stripes (blue with lime green, or yellow with brown) provide weight and stability
Chromatic Texture:
The combination of color and woven texture (suggesting the tactile quality of cotton) transforms color into an almost physical presence, reinforcing the sense of a handcrafted work with strong visual density.
The Textile Medium as Artistic Language
The medium is an integral part of the work’s meaning, celebrating the intersection of folk art and abstraction.
Textile Medium:
As a woven or embroidered tapestry, the piece belongs to the tradition of functional decorative arts. The manual process is evident in the way colors meet and separate, giving the work a human warmth and a refined rustic character.
This dreamlike landscape of textures affirms that art can be joyful, narrative (without being literal), and deeply decorative at once. It invites a playful contemplation of color and form, transforming the wall into a portal to an inner landscape saturated with life.
The work stands as a testament to how fragmented color and curved forms can come together to build a unique “emotional territory,” rich in energy and endowed with a powerful visual identity.













